
Introduction
Imagine that you are inside a large Gothic cathedral, and the sunlight is streaming in from the windows on to a beautiful painting. You pull out your digital camera and take a photograph of the beautiful artwork on the church wall near one of the windows. You need not have bothered. Your digital photograph will be a flop. Either the painting will be dark and barely visible, or the window will appear as a glaring and dominant white area that is hardly recognizable as a window. Or both. The problem is not your camera. The problem is that the dynamic range of the scene exceeds what the camera is able to capture.
Since the birth of photography, photographers have attempted to increase the dynamic range that a photograph captures to recreate how our eyes see. A camera is able to capture a dynamic range of about 1:1,024 where the human eye is capable of seeing somewhere around 1:65,500. In the days of film, bridging this gap occurred in the darkroom. Today it occurs in the computer using a very nice program called HDR or High Dynamic Range.
There is an abundance of information on the web regarding HDR photography, so I will only cover the basics here.
The photographer will take several different exposures of the same scene encompassing the gamut of range in the exposures. You would have an exposure for the brightest area of the photograph and several exposures—at least 1 F-stop apart—bridging the gap until you have an exposure for the darkest area of the photograph. The HDR program then takes this range and reduces it down to a usable, reproducible range. You can understand that compressing that much information doesn't always yield the best results the first rattle out of the box.
HDR is often mistaken for micro-contrast. Micro-contrast is different process where the details of the image are enhanced by increasing the contrast in small lines next to each other. Many HDR programs include micro-contrast just to make things look different and cool. You can create and HDR image without introducing micro-contrast and you can introduce micro-contrast without using HDR. For this purpose, we are talking about HDR only and my goal was to reduce a wide gamut to a usable one.
Some quick tips for your HDR photographs
Use a tripod. The images must align properly before they can be blended and if you hand-hold your camera, the software may be unable to align them correctly creating some odd ghosting in your image. I would recommend using a cable or remote release as well.
Use manual exposure or a "bracketing mode" on your camera to get your exposures. Separate your exposures by at least one f-stop. I personally separate my images by 1.5 f-stops. If you need more information, there is a lot of it out there.
See Also: Best Free HDR Software Samples - A Real World Test
Rated Products
The difficulty I encountered while reviewing these programs was not knowing what the skill level of the reader would be. Novices at photography and those that do not want to spend a lot of time on their computers will prefer a different program than someone who is highly skilled at computer usage and picky about their photography. In my review, I have attempted to illuminate the assets and liabilities of each program to help you decide what is best for you at your level.

Fusion
Gives good results with average work, best for photographers who want to spend a little more time with the image.

Platforms/Download: Windows (Desktop) |
Version reviewed: F.1
Gizmos Freeware
Our Rating: 4/5 |
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Luminance HDR
An open-source application creates good results for amateur and serious amateur photographers.
Platforms/Download: Linux | Mac OS | Windows (Desktop) |
Version reviewed: 2.4.0
Gizmos Freeware
Our Rating: 4/5 |
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Platforms/Download: Windows (Desktop) |
Version reviewed: 3.2
Gizmos Freeware
Our Rating: 3/5 |
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Platforms/Download: Mac OS | Windows (Desktop) |
Version reviewed: 2.6.1
Gizmos Freeware
Our Rating: 3/5 |
Read more...
Related Products and Links
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Comments
One reason that i resisted digital for so long - bought my first DSLR in 2011, bought my first SLR in 1969 - was the simple fact that film {while limited in comparison to the human eye} had {and still has, really} a dynamic range and resolution greater than any but the most expensive digital gear out there.
I note that even some consumer-level DSLRs have reached the point where, in many cases. it is the lens, rather than the sensor, that limits performance.
I really like my Nikon 5300...
Tried Fusion and worked ok on SUMM (as advised) thought I'd try Luminescence but it doesn't accept PNG files therefore will keep to Fusion - Cheers
FYI, just downloaded fresh copies of installers for Luminance and Picturenaut. Noticed that Picturenaut now offers separate x86 and x64 versions. Just figured you ought to know. Haven't tested them yet as I'm almost out of time (start work in 15 minutes).